Sunday, 18 October 2020

Rediscovered! Philip K. Dick's first published SF story, not in his Collected Works. Limited to 250 copies.



Philip K. Dick's first published science fiction tale — not included in his Collected Short Stories

A limited edition of 250 hand-numbered copies

AS OF 1st DECEMBER, FEWER THAN 25 COPIES REMAIN

Each copy features a tipped-in frontispiece illustration, based on an original linocut by Sharon Newell

'The Slave Race' was Philip K. Dick's first published science fiction story. It appeared in his local newspaper in 1944, and has been largely forgotten since — it does not feature in any edition of his Collected Short Stories. Though brief, it is nevertheless an astonishing piece of work, an epic in miniature, dense with ideas and concepts to which Dick would return again and again...


This chapbook is A5 format, 12pp including a cover printed on heavy Rives Shetland paper, and interiors on uncoated paper. The frontispiece illustration is printed on a separate 300gsm silk stock postcard, and tipped in by hand.


TO ORDER

There are 250 hand-numbered copies: first come, first-served. Particular numbers cannot be reserved.
Payment via the buy button below.

A copy with UK P&P is £7.99
A copy with the unavoidably pricey International Airmail P&P is £12.50

IMPORTANT: Please use the drop down menu below to choose either UK, or International P&P.

 
Slave Race: Choose Region From Drop Down Menu

More photos below







ACKNOWLEDGMENTS

Many thanks to Sharon Newell for her wonderfully evocative linocut which became the basis for the frontispiece, and to Martin Stiff for his impeccable design and layout skills. A special tip of the hat to Frank T. Hollander, for his efforts in making sure that Dick's earliest published work has not been completely forgotten. This little edition stands on your shoulders, sir.

DISCLAIMER: This publication, presenting a story which is in the public domain in, and will only be sold to, the USA and other countries which follow the Rule of the Shorter Term, has not been licenced, prepared, or approved by the estate of Philip K. Dick.

Sunday, 30 August 2020

Limited to 100 Copies: A Forgotten Episode from Conrad's Heart of Darkness, Now Reconstructed from the Original Manuscript


"This comedy of light at the door of darkness" — Joseph Conrad, from the text deleted from the published version of Heart of Darkness

The frontispiece and title page of this limited edition. See below for more photos.


AT THE DOOR OF DARKNESS
By Joseph Conrad

A forgotten episode from Heart of Darkness, cut from the published version, now reconstructed from the original manuscript

A strictly limited, never-to-be-reprinted edition of 100 hand-numbered copies for sale

With an original, hand-printed linocut frontispiece tipped in to each copy

Our previous limited editions have all sold out, so don't miss out on this one...
Our two Lawrence of Arabia titles (see details here and here), were described by the T. E. Lawrence Society as "a very beautiful publication" and "a valuable piece of ephemera for your collection".
The Ghost of the Private Theatricals, a newly discovered tale of terror by Mary Shelley, the creator of Frankenstein (details here), was featured in the Times Literary Supplement, and also sold out quickly, with copies going to every continent except Antarctica!

Heart of Darkness is Joseph Conrad's most celebrated story, both as a work of literature, and as the inspiration for Francis Ford Coppola's classic film Apocalypse Now. Originally published in 1899, the novella's dark tale of madness in the jungle was based on the author's own experience of travelling up the Congo river a decade before. Conrad’s journey began when he came ashore on 12 June 1890 at Boma, the seat of government of what was then the Congo Free State. He drew on his experiences in Boma to write an extended passage in Heart of Darkness, detailing the true beginning of Marlow's river voyage — but this episode, full of fascinating detail, was deleted from the printed version of the story, and has now become quite literally a footnote, mentioned in a few academic editions, but otherwise forgotten.

This limited edition finally brings the full text of this 'deleted scene' into print, reconstructed from the original manuscript.

Each copy of the edition features an original, individually hand-printed tipped-in linocut frontispiece by Sharon Newell, inspired by the baobab tree at Boma, as described by Conrad in the text deleted from the published version of Heart of Darkness.

A5 format, printed on uncoated 160gsm paper, 20pp plus a cover printed on heavy Rives Shetland paper.

Includes both a transcription of the deleted text from the manuscript, and the heavily edited passage as eventually published in the printed version.

A detailed Introduction by Adam Newell gives the background to the text, and reveals an intriguing connection between this lost episode and Apocalypse Now...

Features photos of the five relevant pages of Conrad's original manuscript, and rare historical images of Boma, identifying the locations described by Conrad.


TO ORDER
There are 100 hand-numbered copies, first come, first-served. There will be no reprint.
Payment via the buy button below.

A copy with UK P&P is £15.00
A copy with the unavoidably pricey International Airmail P&P is £23.00

IMPORTANT: Please use the drop down menu below to choose either UK, or International P&P.
Darkness: Choose Region From Drop Down Menu




NOTE: IF THERE ARE ANY PROBLEMS WITH THIS PAYPAL LINK, YOU CAN PLACE AN ORDER DIRECT WITH ME BY EMAILING:
withnailbooks@btinternet.com


More photos below:











Each copy comes with a hand-printed linocut by Sharon Newell - here's one with the actual lino to the right.


ACKNOWLEDGMENTS
As always, I have Sharon Newell to thank for her wonderful linocuts, and Martin Stiff of Amazing15 for his brilliant design and layout. Acknowledgment also to the Beinecke Rare Book and Manuscript Library at Yale University, which holds Conrad's manuscript.

Friday, 20 December 2019

A T. E. Lawrence Limited Edition (125 Copies Only): Featuring A Previously Uncollected Letter



NOW SOLD OUT!



Three letters, all written on the same day...

strictly limited edition, featuring a previously uncollected letter by Lawrence of Arabia

"I do not write... I sweat and sweat, and it's a botch"
— T.E. Lawrence, from the uncollected letter in this edition






30th OCTOBER, 1931
A DAY IN THE LIFE

THREE LETTERS
By T. E. Lawrence


Three letters by T.E. Lawrence, all written on the same day: 30th October, 1931. Including a letter published for the first time with the permission of The Seven Pillars of Wisdom Trust.

With an original, hand-printed linocut frontispiece

A strictly limited, never-to-be-reprinted edition of 125 hand-numbered copies for sale

Our previous Lawrence-related limited edition, The Kaer of Ibu Wardani (see details here), was described by the T. E. Lawrence Society as "a very beautiful publication", and sold out quickly. The Society has also recently reviewed this publication in their Newsletter:
"I commend this finely produced little book to all our members, as a valuable piece of ephemera for your Lawrence collection." 

Nobody knows exactly how many letters T. E. Lawrence wrote in his lifetime. The total number, from childhood missives to his mother, right up to scribbled notes to friends in his final weeks, is undoubtedly comfortably into four figures.

We now know that he wrote three letters dated 30th October, 1931. Two of them, to his Mother and to the typographer Bruce Rogers, have been previously published (albeit in expensive, now hard-to-find books); the other, a fascinating and revealing letter to a fellow member of the RAF, has been uncollected until now. All three are presented here, giving a snapshot into one particular Friday in the 43-year-old Lawrence’s life, including — in the uncollected letter — a story involving Thomas Hardy and Siegfried Sassoon, and an unexpected connection to Spike Milligan and John Lennon...

Each copy of the edition features an original, individually hand-printed linocut by Sharon Newell, inspired by Lawrence's adventures in his beloved speedboat, the Biscuit.

A5 format, printed on uncoated 160gsm paper, 16pp plus a cover (in RAF blue) printed on heavy Rives Shetland paper.

The interior is set in Centaur, the font created by Bruce Rogers.

Featuring, as well as the full text of the three letters, a detailed Afterword by Adam Newell, giving the background to the letters and their recipients, with supporting illustrations.


More photos below:






The Fontispiece for each copy is individually hand-printed, so please note that ink coverage etc may vary!

The original linocut from which this edition's Frontispiece was printed.









Acknowledgements
Once again I have Sharon Newell and Martin Stiff to thank, for their hard work on making this limited edition a reality. Thanks also the The Seven Pillars of Wisdom Trust, for their kind cooperation.

Saturday, 22 June 2019

Three ultra-rare Westerns: but does anyone care?

The three books featured below are all British editions of American Western novels. They all have cracking covers, and they are all, as far as I can ascertain, *fantastically* rare.

I can't find any other copies of any of them for sale anywhere in the world.

I don't just mean copies that still have dust jackets, but any copies, at all. In these internet days, that's still a rare happenstance. A sort of secondhand book googlewhack. And here are three at once. But will anyone care? I guess we'll find out, as I've just put them on eBay...

The listing is HERE. And no, I don't expect to get the full asking price, or anywhere near it, probably. But you can make me an offer...















Friday, 14 June 2019

Who Should Play Jackson Lamb? (Slight Return)




UPDATE: AND THE ANSWER IS... GARY OLDMAN!

Breaking news HERE


One of the more popular posts on this blog in recent times is this one, which asks 'Who Should Play Jackson Lamb?' in the inevitable TV version of Mick Herron's sublime spy thriller series. To celebrate the release of the sixth instalment of the Jackson Lamb/Slough house saga, Mr Herron is doing a few signings, so Sam the Black Hand Wine Man and I motored over to Forum Books in Corbridge — which, by the way, is an object lesson in how to run an independent bookshop* — to meet the man himself.

If you're not familiar with Jackson Lamb and his crew of Slow Horses, the previous blog entry will bring you up to speed. Mr Herron in conversation was fascinating: he talked at length about his writing process ("anyone watching would just think I was a professional-level solitaire player"), his relationship with his characters ("I could never write a female character I didn't like, though that doesn't go for my male characters"), and the yes-it-is-going-to-happen-probably TV series. While conceding that he's been saying for many years that the TV series is looking "probable" it apparently is looking a lot more probable of late. Indeed, he spent several days in the 'Writer's Room' breaking down the story with the guys tasked with bringing the first book to the screen. "We had a different thing for lunch every day! It was fantastic!" he marvelled.

While he understands the interest in the TV series, and welcomes the attention and sales it could bring, Herron does find it slightly exasperating that a book's success is often gauged by whether it is turned into something else: "You wouldn't say to a painter, 'Oooh, I love that painting. Is it going to be turned into a sculpture?'"

A fair point, but it doesn't mean I'm not looking forward to Jackson Lamb onscreen! Mick remained tight-lipped about other details, including casting, though it sounds as if they have simply not reached that stage yet.

One other thing: Herron was hilariously keen to insist, for legal reasons, that the character of Peter Judd was *not* based on any particular politician, when it is very, very clear that he's actually... well, read the books for yourself, and if you have read them, you'll know! (Hint: I'm currently hoping against hope that he's not going be our next Prime Minister...)

Anyway, we have a new Jackson Lamb novel, which is the main thing! I've not read my copy yet, but I do have a complete set of all the Slough House books to date, all signed by the author, for sale if anyone wants to dive right in!


*Another reason to visit the excellent Forum Books in Corbridge is that right opposite it is The Oldest Pub In The World: a tiny hostelry built into a Pele tower/fortified vicarage built in 1300. Here's Sam sitting on a throne having a pint. Chin chin!




Thursday, 2 May 2019

Unseen For a Century? Views of Fairlie, Ayrshire






This rather lovely book is a recent arrival at Withnail Books, and is evidently a rare survivor. I can trace no other copies available anywhere (it's another ABEwhack (tm)). I can't even find any reference to its existence. The title page has a few clues:




Charlie McNair, according to this page, ran the local Post Office and shop (which also served as the savings bank, telegraph station and chemists). He sold postcards of the area, which sometimes appear on eBay described as 'Fairlie, McNair series', and, it would appear, published this book of similar local views. It's beautifully produced, about 5 in x 7in, with a gilt stamped debossed design to the cover, which won't have come cheap. It was probably only ever available in McNair's emporium, as the posh alternative to a postcard for the well-heeled tourist.

There's no date in the book, but the title page reveals it was 'Photographed and Printed by G. W. Wilson & Co, Ltd, Aberdeen.' Wilson was a pioneering Victorian photographer, who popularised stereo views (early 3D prints), and worked for the Queen and Prince Albert, but his company had been wound up by 1908, so we know this book has to be earlier than that. Looking at the clothes in this close up of the image above, I'd guess 1890s to early 1900s was about right.




(An aside: I've just had it pointed out to me by a regular customer that G. W. Wilson & Co in Aberdeen was once the employer of writer, photographer and entertainingly bonkers cult figure Frederick Rolfe, aka Baron Corvo. In fact, such a dedicated employee was he that he continued to work for them even after he'd lost his job there. They had trouble getting rid of him...)

Fairlie is a little town in North Ayrshire, on the eastern shore of the Firth of Clyde looking out to Arran. Wikipedia perhaps unfairly dismisses it as 'little more than a commuter town' these days, with Hunterston B nuclear power station, a deep sea shipping terminal and a NATO base all on the coastline nearby. Charlie's little book is a souvenir of a different time, when the pier was still up and running, and the internal combustion engine was still pretty new-fangled, let alone nuclear...

So here, for what is very possibly the first time in over a century, is the complete Views of Fairlie...

(2019 update: Every few months since this blog was posted back in 2013 I get an email asking if this book is still for sale. Perhaps unsurprisingly, it sold almost immediately, and went to the USA, as I recall.)













(That's Charlie McNair's shop, above.)