Showing posts with label review. Show all posts
Showing posts with label review. Show all posts

Sunday, 25 October 2015

A Halloween Plug: The Art of Horror



As well as manning the Little Shop, now and again I do a spot of freelance editorial work. A book I was Project Manager for has just been published in time for Halloween, and biased though I may be, it really is a stunner, and belongs on the coffee table of anyone remotely interested in its subject area. So if you'll forgive me, this is a shameless plug.

The Art of Horror is edited by Stephen Jones, and features a Foreword by Neil Gaiman, and over 500 images, from early engravings, via book and magazine covers, movie posters and paintings, to cutting-edge digital art, with contributions from a plethora of artists. 

It's organised into ten themed chapters, with written contributions from David J. Skal (on vampires), Jamie Russell (on zombies), Gregory William Mank (on Frankenstein's Creature and other man-made monsters), Kim Newman (on werewolves and shape-changers), Richard Dalby (on Ghosts), Barry Forshaw (on psychos), Lisa Morton (on Halloween horrors), S. T. Joshi (on Lovecraft), Bob Eggleton (on prehistoric monsters and other behemoths) and Robert Weinberg (on aliens). Alongside Stephen Jones' detailed captions, it all builds into a uniquely illustrated history of horror. It is, pun intended, bloody brilliant.

You can buy it at Amazon UK or US for a very decent discount, though of course you should patronise your local independent bookseller if you can. If you're quick, you can pre-order a copy HERE signed by Stephen Jones and a number of the contributors (including artist Dave McKean) from Forbidden Planet in London: the signing is on Halloween itself, Saturday October 30th.

Here's just two of the images from the book, the first being of Cumbria's very own legend, 'The Croglin Vampire'. I lobbied for it to be included in the vampires chapter, because it's a great painting by Les Edwards, but also because I live in Croglin!


The Croglin Vampire © Les Edwards

La Muerte Enamorada (Death in Love) © Chema Gil Ramirez

The contributor copies started going out a week or so ago, and for those of you who know who Basil Gogos is, you'll know how cool it was for him to pop up on Facebook proclaiming the book "may become the bible of Horror Art." In fearful imagery circles, this is like getting a blessing from the Pope.





MAY 2016 UPDATE: I'm delighted to say the book has won the Bram Stoker Award from the Horror Writers Association, for Superior Achievement in Non-Fiction. In horror publishing, this is the equivalent of winning an Oscar, so I'm very proud to have been involved!

Saturday, 3 October 2015

Bruce Robinson Has Finally Unmasked Jack the Ripper!




"It is either one of the most arcane conspiracy theories in British criminal history, or it’s the truth. By the time you’ve turned the last page, Robinson leaves you in no doubt that it’s the latter."
The Telegraph

"If he’s right, it’s the biggest cover-up in British history. If he’s wrong – well, it’s still a bloody good read."
The Guardian


After at least fifteen years of research and writing Withnail and I creator Bruce Robinson's magnum opus They All Love Jack: Busting the Ripper is nearly upon us, and the media campaign has begun.

As revealed on this blog many months ago, Robinson's culprit is the singer/songwriter Stephen Adams, aka Michael Maybrick, pictured above. You can bring yourself up to speed reading the previous blog posts about Robinson's adventures in Ripperland HERE and HERE.

Bruce was interviewed at his house by reporter Nicola Stanbridge on BBC Radio 4's Today programme this morning (at about 8.20, if you want to find it on the iPlayer listen again), and there's a huge article about the book and its author in today's Telegraph, which you can read HERE.

Meanwhile the first review is in, from the Grauniad, which concludes: "If he’s right, it’s the biggest cover-up in British history. If he’s wrong – well, it’s still a bloody good read." You can read the full review HERE.

Robinson is making several appearances over the next few weeks to talk about the book. Click below for more details of:

An event in London in conversation with Will Self

An appearance at the Cheltenham Literary Festival

An appearance in Leeds, coupled with a screening of a certain film, which he will introduce...

Finally, you can buy the book here, but of course you should be ordering it from your local independent bookshop.

UPDATE:
Another stop on Robinson's book tour, this time in Bath.

A review of the book by Craig Brown, who doesn't like it. But it's in the Daily Mail, so what do you expect?

A long Sunday Times feature/interview (though it's behind a paywall).

A Wall Street Journal article.

A long article in GQ.

Saturday, 21 February 2015

Read that Lost Sherlock Holmes Story, And Why It's Not Really Sherlock Holmes At All...

What a treat to wake up to the news that a previously lost, and indeed unrecorded Sherlock Holmes story has been rediscovered. Yesterday The Scotsman had the news, which has since gone worldwide, but I've yet to see much discussion of its actual content.



Whether or not it's actually written by Conan Doyle himself (and there's no way we're ever going to know definitively, but the evidence would suggest it probably is from his hand), what is clear is that this new 'Sherlock Holmes story' isn't really a story... and it doesn't feature Sherlock Holmes.

Well, not the 'real' Sherlock Holmes, anyway. The 'author' of the piece – an unnamed journalist on a deadline, not John Watson – freely admits that his 'interview' with Sherlock Holmes comes via 'The Faculty of Imagination'. Even without this admission, the fact that this Holmes is an imposter is abundantly clear from the several errors the careless 'author' makes.

It would need a finer Holmesian than I to identify them all, but for starters:

This Holmes, apparently, lives in Sloan Street. He owns a complete set of Macaulay's works, quotes The Lays of Ancient Rome, and often discusses politics and 'the fiscal question' with Watson.

This is surely not the inhabitant of 221B Baker Street described by his faithful Boswell as having:
Knowledge of Literature: Nil
Knowledge of Politics: Feeble

I think these fun 'easter eggs' for the keen Holmes fan to spot adds to the evidence that Doyle himself was indeed the author. There's actually lots of references, both Holmesian and political, for Doyle biographers to get their collective teeth into here. The game is afoot...

It's a fun piece in its own right though, so here it is in its entirety:


'Sherlock Holmes: Discovering the Border Burghs and, by deduction, the Brig Bazaar'

'We've had enough of old romancists and the men of travel, said the Editor, as he blue-pencilled his copy, and made arrangements for the great Saturday edition of the Bazaar Book. 'We want something up-to-date. Why not have a word from "Sherlock Holmes"?'

Editors have only to speak and it is done, at least, they think so. 'Sherlock Holmes!' As well talk of interviewing the Man in the Moon. But it does not do to tell Editors all that you think. I had no objections whatever, I assured the Editor, to buttonhole 'Sherlock Holmes,' but to do so I should have to go to London.

'London!' scornfully sniffed the Great Man. 'And you profess to be a journalist? Have you never heard of the telegraph, the telephone, or the phonograph? Go to London! And are you not aware that all journalists are supposed to be qualified members of the Institute of Fiction, and to be qualified to make use of the Faculty of Imagination? By the use of the latter men have been interviewed, who were hundreds of miles away; some have been "interviewed" without either knowledge or consent. See that you have a topical article ready for the press for Saturday. Good day'.'

I was dismissed and had to find copy by hook or by crook. Well, the Faculty of Imagination might be worth a trial.

The familiar house in Sloan Street met my bewildered gaze. The door was shut, the blinds drawn. I entered; doors are no barrier to one who uses the Faculty of Imagination. The soft light from an electric bulb flooded the room. 'Sherlock Holmes' sits by the side of the table; Dr Watson is on his feet about to leave for the night. Sherlock Holmes, as has lately been shown by a prominent journal, is a pronounced Free Trader. Dr Watson is a mild Protectionist, who would take his gruelling behind a Martello tower, as Lord Goschen wittily put it, but not 'lying down!' The twain had just finished a stiff argument on Fiscal policy. Holmes loq,-

'And when shall I see you again, Watson? The inquiry into the "Mysteries of the Secret Cabinet" will be continued in Edinburgh on Saturday. Do you mind a run down to Scotland? You would get some capital data which you might turn to good account later.'

'I am very sorry,' replied Dr Watson, 'I should have liked to have gone with you, but a prior engagement prevents me. I will, however, have the pleasure of being in kindly Scottish company that day. I, also, am going to Scotland.'

'Ah! Then you are going to the Border country at that time?'

'How do you know that?'

'My dear Watson, it's all a matter of deduction.'

'Will you explain?'

'Well, when a man becomes absorbed in a certain theme, the murder will out some day. In many discussions you and I have on the fiscal question from time to time I have not failed to notice that you have taken up an attitude antagonistic to a certain school of thought, and on several occasions you have commented on the passing of "so-called" reforms, as you describe them, which you say were not the result of a spontaneous movement from or by the people, but solely due to the pressure of the Manchester School of politicians appealing to the mob. One of these allusions you made a peculiar reference to "Huz an' Mainchester" who had "turned the world upside down." The word "Huz" stuck to me, but after consulting many authors without learning anything as to the source of the word, I one day in reading a provincial paper noticed the same expression, which the writer said was descriptive of the way Hawick people looked at the progress of Reform. "Huz an' Mainchester' led the way. So, thought I, Watson has a knowledge of Hawick. I was still further confirmed in this idea by hearing you in several absent moments crooning a weird song of the Norwegian God Thor. Again I made enquires, and writing to a friend in the South country I procured a copy of "Teribus." So, I reasoned, so - there's something in the air! What attraction has Hawick for Watson?'

'Wonderful,' Watson said, 'and -- '

'Yes, and when you characterised the action of the German Government in seeking to hamper Canadian trade by raising her tariff wall against her, as a case of "Sour Plums," and again in a drawing room asked a mutual lady friend to sing you that fine old song, "Braw, braw lads," I was curious enough to look up the old ballad, and finding it had reference to a small town near to Hawick, I began to see a ray of daylight. Hawick had a place in your mind; likewise so had Galashiels - so much was apparent. The question to be decided was why?'

'So far so good. And -- '

'Later still the plot deepened. Why, when I was retailing to you the steps that led up to the arrest of the Norwood builder by the impression of his thumb, I found a very great surprise that you were not listening at all to my reasoning, but were lilting a very sweet - a very sweet tune, Watson - "The Flowers of the Forest;" then I in turn consulted an authority on the subject, and found that that lovely if tragic song had a special reference to Selkirk. And you remember, Watson, how very enthusiastic you grew all of a sudden on the subject of Common-Ridings, and how much you studied the history of James IV., with special reference to Flodden Field. All these things speak, Watson, to the orderly brain of a thinker. Hawick, Galashiels, and Selkirk. What did the combination mean? I felt I must solve the problem, Watson; so that night when you left me, after we had discussed the "Tragedy of a Divided House," I ordered in a ton of tobacco, wrapped my cloak about me, and spent the night in thought. When you came round in the morning the problem was solved. I could not on the accumulative evidence but come to the conclusion that you contemplated another Parliamentary contest. Watson, you have the Border Burghs in your eye!'

'In my heart, Holmes,' said Watson.

'And where do you travel to on Saturday, Watson?'

'I am going to Selkirk; I have an engagement there to open a Bazaar.'

'Is it in aide of a Bridge, Watson?'

'Yes,' replied Watson in surprise; 'but how do you know? I have never mentioned the matter to you.'

'By word, no; but by your action you have revealed the bent of your mind.'

'Impossible!'

'Let me explain. A week ago you came round to my rooms and asked for a look at "Macaulay's Lays of Ancient Rome." (You know I admire Macaulay's works, and have a full set.) That volume, after a casual look at, you took with you. When you returned it a day or two later I noticed it was marked with a slip of paper at the "Lay of Horatius," and I detected a faint pencil mark on the slip noting that the closing stanza was very appropriate. As you know, Watson, the lay is all descriptive of the keeping of a bridge. Let me remind you how nicely you would perorate -

When the goodman mends his armour

And trims his helmet's plume,

When the goodwife's shuttle merrily

Goes flashing through the loom,

With weeping and with laughter.

Still the story told -

How well Horatius kept the bridge,

In the brave days of old.

Could I, being mortal, help thinking you were bent on some such exploit yourself?'

'Very true!'

'Well, goodbye, Watson; shall be glad of your company after Saturday. Remember Horatius' words when you go to Border Burghs :- "How can man die better than facing fearful odds." But there, these words are only illustrations. Safe journey, and success to the Brig!'

UPDATE: MATTIAS BOSTROM IS CONVINCED THE STORY IS NOT WRITTEN BY DOYLE, AND IT IS A PRETTY STRONG ARGUMENT... BUT STILL NOT DEFINITIVE PROOF EITHER WAY.